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The dance of seduction

Because I like to talk about a dance?

Why seduction, when healthy, is something that happens as in a pas de deux, is a harmonic movement that develops in the dynamics of gestures that match and match and bring the contact to evolve. Otherwise it is instead of handling, grooming, a suggestion aimed at getting around the other to take in areas that did not match.

There is a 'commonly used expression that calls to "unleash their seductive weapons ", referring a little 'idea of \u200b\u200bmeeting with the other as a battlefield, and this makes us understand how we are now in daily use soaked the negative meaning of this process, which ultimately rather that approach is likely to separate.

Another injury is the belief that seduction is something closely related all'avvenenza, while in reality it is something that goes beyond mere physical appearance: there are women (and men) that fill the space, as move, how they talk, how they look ... there are even people that have a natural and spontaneous magnetism, allure without even knowing.

In general, however, the first steps of this dance are moved from the eyes, then switch to the word, and finally to the actual physical contact. Even though his eyes have a role that goes beyond the simple ability to be run effectively on the other: our, a look that must be observed, and note that knows how to decrypt messages sent each other, because each person is and only encounter with her can not be equal to another.

why I am opposed to anything that passes for seduction techniques or literal interpretations of the message body: seduction is a real meeting .

is the meeting dell'energia di due sguardi portatori di significati nascosti, è l'incontro di palpitazioni ma anche reazioni estranee e improvvise, è qualcosa che indugia, gira intorno, sa attendere. Rifiuta a volte, ma per poi riaffermare.

Come tale è qualcosa che dura nel tempo, come una danza, un avvicendarsi di posture, posizioni ma soprattutto di costruzione di complicità. Se manca questo emerge solo la parte più brutta della seduzione, quella che nel senso comune spesso la rende avvicinabile a qualcosa di adulatorio, maliardo e stregato, fine a se stesso, perché rimanda alla logica dell'usa e getta.

Gli ormai citatissimi studi sulla tell us that communication in the dialogue with the other predominant aspect, against all odds, is the non-verbal language (the simple content of what we say aloud accounts for only 7% as against 38% of the way in which the say and 55% of body language), then a fortiori, the seductive process makes even more sense when compared to a dance, where the body is the master.

If we see two dancers, perceive as being required to coordinate and get to know each other well for a smooth and beautiful. Also important is the context and the adaptation to the music.

Metaphors aside, it may be true that if certain words or movements, acting out in a make sense, in another situation may be out of place and inappropriate.

And then, no dancer is just such a couple: the first of a two-step should be an expert and knows his or her physical and expressive.

order to transmit to another something I need to be aware of what moves me, why and how, in addition to being able to channel it constructively. Like all dancers know, you must be constantly double-gaze on himself and on the other, which allows it to be aware of the overall process. When I think and I only see myself, but even when I lose myself in the other leaving only my needs, I also lose sight of the report, that magical relationship that is created only if we are both there and on the same wavelength.

I can be very good at doing flips, but if I do it while the other person you expect to do a waltz, we will surely two talented musicians, each in its kind, but together we will not go away ...

I have always clear where I began and where the other begins, or you risk stepping on one another's feet and obstruct the harmony of the final result.

There is a beautiful scene of a film on which many women have dreamed of, or Dirty Dancing ( find the video here). It is the story of an initiation: the dance, love, sex and adult life.
"This is my space and this is yours, I will not go into yours, you can enter the mine," it starts like that and you get closer little by little ... in a process of complicity , trust and intimacy ... to the tune of Hungry Eyes, leaving only the eyes may be starved of the other: a bit 'hard for the rush of those who by nature is more inclined to action, but not impossible, and certainly, then more satisfying. Earning the trust allows you to open all the possibilities to enjoy the mutual seduction in all its forms.

If we see this in mind seduction becomes a path, there may be continuous stimuli, does not end only in the space of the first meeting or so.

Seduction may exist in the pairs of long, because you can always experiment with new dances.

Seduction really can arise from small gestures, attention and novelty, due to changing tastes, evolving needs and preferences, but this is still possible if we look with curiosity to see how you did the first time what can please themselves and each other and comunicandoselo.

Here we are then the paradox of seduction: if the etymology (if -Duco ) indicates that its meaning is "to lead him, in fact, experience teaches us that you can not really lead anyone to us, if not before we got close to him / her, we see them as we are concerned and we have to decipher his actions and then find out who he is, what he likes ...

Seduction is like the climax of a tango ... calibrated gestures, slow, and after a sudden, I decided, and then again studied, alternating wonderful magnetism of pure body and desire. But to have this magical effect, let us remember that we must necessarily take part in two. So, instead of the faint twinkle of a straw, it will be the lighting of a sacred fire.

good dance to all.

virginia